An Example of Neoclassical Civil Architecture in Kaleiçi, Edirne: Ilhan Koman House Edirne Kaleiçi’nde Neoklasik Bir Sivil Mimarlık Örneği: Ilhan Koman Evi


DÜNDAR M.

Art-Sanat Dergisi, sa.21, ss.261-288, 2024 (ESCI) identifier

  • Yayın Türü: Makale / Tam Makale
  • Basım Tarihi: 2024
  • Doi Numarası: 10.26650/artsanat.2024.21.1353253
  • Dergi Adı: Art-Sanat Dergisi
  • Derginin Tarandığı İndeksler: Emerging Sources Citation Index (ESCI), Scopus
  • Sayfa Sayıları: ss.261-288
  • Anahtar Kelimeler: Civil architecture, Edirne, House, Kaleiçi, Neoclassical, İlhan Koman
  • Çanakkale Onsekiz Mart Üniversitesi Adresli: Evet

Özet

Kaleiçi, the initial settlement core of Edirne, holds historical significance as a dwelling place for non-Muslim communities. Distinguished from other Turkish districts by its grid-shaped (Hippodamus) settlement pattern and unique residences, Kaleiçi boasts several well-preserved historical houses. Among them is the İlhan Koman House, constructed by a Greek doctor, shedding light on the social and cultural fabric of its era. Despite its noteworthy architecture and ornamentation, the İlhan Koman House has yet to undergo a comprehensive study. This study aims to fill that gap, serving as a valuable resource for studying residential architecture and wall painting. The objective is to contribute to the field of art history by conducting a holistic assessment of the house’s architectural and ornamental features. Through this study, the house’s significance in both Edirne’s urban architecture and Ottoman residential design is sought to be unveiled. To achieve this, relevant literature and archives were meticulously scanned before conducting an on-site examination. The collected data from thorough research and analysis provided the foundation for a detailed evaluation of the İlhan Koman House. The goal was to elucidate its position and importance among similar structures. The findings reveal that this two-storey wooden house embodies classical Ottoman residential architecture through its material technique and plan features. However, it also exhibits a distinct Western influence, evident in its pronounced neoclassical emphasis on facades. The house, designed to connect with the external environment through expansive windows and balconies, further incorporates ceiling decorations reminiscent of ancient Greek architecture. With its architectural and decorative elements reflecting the socio-cultural interactions of its time, the İlhan Koman House occupies a vital place in both Edirne’s urban landscape and Ottoman civil architecture.