PROCESS AND EXPERIMENTATION IN HERCULES SEGERS'S LANDSCAPE PRINTS


Ekici A.

International Conference of Doctoral Students in the Field of Visual Arts “Symposium”, Timisoara, Romanya, 20 - 21 Haziran 2024

  • Yayın Türü: Bildiri / Özet Bildiri
  • Basıldığı Şehir: Timisoara
  • Basıldığı Ülke: Romanya
  • Çanakkale Onsekiz Mart Üniversitesi Adresli: Evet

Özet

Hercules Segers, born in 1589 in the Netherlands, is an artist particularly known for his experimental landscape prints. His works frequently feature dominant images of rocky slopes, deep valleys, and mountains, often depicted in an atmosphere that could be described as spooky. The experimental methods and techniques he employed in his prints have led to his recognition as one of the most extraordinary artists of the Dutch Golden Age. His practice of printing on painted papers, fabrics, and canvases, and sometimes adding color post-printing, were pioneering for his time. Additionally, he ventured beyond the classical methods by experimenting with various techniques. He is acknowledged as the inventor of lift-ground (sugar-lift) and three-tone etching. During his era, it was generally accepted that all prints from a single plate should look identical. However, Segers produced numerous variations from the same printing plate, rendering each variation a unique artwork rather than part of an edition. Research and analysis of his extant works suggest that Segers was more concerned the creative process itself than in the completion of the artwork. This study examines Segers’s approach to landscape subject, his experimental applications in printmaking, and his creative process.